Sabtu, 30 April 2011

[A572.Ebook] Free PDF Principles and Practice of Psychiatric Nursing, 9th Edition, by Gail Wiscarz Stuart

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Principles and Practice of Psychiatric Nursing, 9th Edition, by Gail Wiscarz Stuart

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Principles and Practice of Psychiatric Nursing, 9th Edition, by Gail Wiscarz Stuart

This well-respected textbook presents cutting-edge principles of psychiatric nursing and provides you with new features and tools – including chapter study notes and audio chapter summaries – to help you learn the important content you need to know. The 9th edition presents current guidelines for the practice of psychiatric nursing, with the latest clinical research and appropriate diagnoses, updated and expanded coverage of primary care, and extensively revised and updated psychiatric drug information.

  • Provides a comprehensive presentation of current principles and practice of psychiatric nursing with a balance of theory and clinical application.
  • In text and online learning tools including bolding of important concepts in the textbook, chapter study notes, audio chapter summaries, new consumer videos, and much more.
  • The Stuart Stress Adaptation Model of health and wellness provides a consistent nursing-oriented framework.
  • An emphasis on evidence-based practice bridges the knowledge gap between clinical research and everyday care.
  • Summarizing the Evidence boxes in the disorders chapters examine the research that supports psychiatric nursing care and highlight findings in the field.
  • Family focus and discussion of outpatient care is emphasized throughout the text in response to current trends in psychiatric nursing.
  • Nursing Treatment Plan Summary tables present care plans including patient goals with nursing interventions and rationales to guide nursing care related to the treatment of major disorders.
  • Patient Education Plan and Family Education Plan tables include key information that the nurse needs to share with the patient and his or her family.
  • Case studies provide in-depth examples of clinical scenarios to demonstrate step-by-step application of the nursing process.
  • Critical thinking questions interspersed throughout the text challenge you and promote independent clinical reasoning.
  • Therapeutic Dialogue boxes offer specific examples of nurse-patient interactions to demonstrate the difference between therapeutic and nontherapeutic communication.
  • A Patient Speaks and A Family Speaks boxes present short vignettes in a patient’s and family’s own words.
  • Competent Caring: A Clinical Exemplar of a Psychiatric Nurse boxes feature practicing psychiatric nurses sharing clinical experiences and personal insights related to the chapter topic.
  • Presents nursing care according to the latest ANA Psychiatric-Mental Health Nursing Scope and Standards of Practice.
  • Integrates the Recovery Model – a strength-based, positive approach to treatment of psychiatric disorders – throughout the textbook.
  • Includes updated and expanded coverage of primary care that addresses psychiatric nursing care of patients who are increasingly being diagnosed and treated in the primary care setting.
  • Includes the latest research and appropriate nursing and medical diagnoses relevant to each disorder.
  • Provides the most up-to-date psychiatric drug information.

  • Sales Rank: #544454 in Books
  • Published on: 2008-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.30" h x 8.60" w x 11.00" l, 4.15 pounds
  • Binding: Hardcover
  • 832 pages

About the Author
Gail W. Stuart, PhD, RN, CS, FAAN, Professor, College of Nursing, Director of Doctoral Studies, Coordinator of the Psychiatric-Mental Health Nursing Graduate Program; Professor, College of Medicine, Department of Psychiatry and Behavioral Sciences, Medical University of South Carolina; and Michele T. Laraia, PhD, RN, CS, Acting Department Chair and Professor, Division of Mental Health Nursing, School of Nursing, Oregon Health Sciences University, Portland, OR

Most helpful customer reviews

0 of 0 people found the following review helpful.
Three Stars
By Amazon Customer
has some interesting perspectives

17 of 20 people found the following review helpful.
Psychiatric Nursing
By A Customer
This is a great textbook. Very informative without being boring. Includes personal reports from patients, families, and experienced nurses. Each chapter concludes with a short quiz to help focus on the main points. Includes assessment tools such as the Mini Mental Status Exam. Perfect for beginners. This book is a refreshing balance of educational and enjoyable reading.

3 of 3 people found the following review helpful.
Needed the 10th edition, but got this instead
By BinkaBoo
This is pretty much the same thing as the 10th edition. The only time I ran into any issues is when I had to do a case study that wasn't included in this version. I just copied it from one of my colleagues. All that you need to know about basic psych nursing is in this book.

See all 20 customer reviews...

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Selasa, 26 April 2011

[R730.Ebook] PDF Ebook The Folk Art of Japanese Country Cooking: A Traditional Diet for Today's World, by Gaku Homma

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The Folk Art of Japanese Country Cooking: A Traditional Diet for Today's World, by Gaku Homma

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The Folk Art of Japanese Country Cooking: A Traditional Diet for Today's World, by Gaku Homma

Those who love Japanese food know there is more to it than sukiyaki, tempura, and sushi. A variety of miso-based soups, one-pot cooking (nabemono), and vegetable side dishes with sweet vinegar dressing (sunomono) are just a few of the traditional dishes that are attracting many interested in Asian cooking. Homma presents an intriguing mixture of Japanese country cooking, folk tradition, and memories of growing up in Japan. Cooking methods include techniques for chopping vegetables, making udon and soba noodles, making tofu and using various tofu products, and making rich soup stocks. This is a book to use and treasure for its traditional Japanese cooking methods.

  • Sales Rank: #568223 in Books
  • Published on: 1993-01-14
  • Released on: 1993-01-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.95" h x .70" w x 7.95" l, 1.53 pounds
  • Binding: Perfect Paperback
  • 288 pages

About the Author
Gaku Homma, founder and chief instructor of Nippon Kan Aikido and Cultural Center in Denver, Colorado, is owner and head chef of Denver's highly acclaimed Domo restaurant. His experiences as Aikido instructor combined with his talents as a chef led to the creation of The Folk Art of Japanese Country Cooking: A Traditional Diet for Today's World.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Two great books in one!
By Christopher Tricarick
I love this cookbook, and, unlike several other cookbooks which I also love but don't use very often, I use it all the time.

The first half or third of the book is a long essay on the eating of traditional working people--farmers and fishermen--in Japan. By the time you finish it, the whole domestic economy, the nature of the simple Japanese home, and the origins of the cuisine will have become clear. There is no superficial gauziness here--we get facts, delightfully presented.

Next we get the recipes, arranged by meal. These recipes are mostly simple, and they use the same few ingredients again and again, so that once you buy the handful of staples called for you can try most of the things in the book. In fact, the recipes encourage thrifty recycling and practical use of left-overs--the dried shiitakes and kombu and fish from your dashi can themselves become side dishes for the next meal. There are a few strangely baroque recipes--one chicken dish calls for the same chicken to be successively simmered, then fried, then simmered again--but most of the recipes are such that a busy person can make most of them in a short time. This is also a cookbook for the amateur: there is none of the fussing with precise measurements, and cutting things into exactly the right shape, and simmering things for a precise amount of time, which many Japanese cookbooks involve. Remember, this is peasant cooking--the cooking of people who have a fire in the middle of their kitchen and eat sitting around that same fire. The amazing thing is that Homma makes that cooking accessible to us. And it tastes great!

2 of 2 people found the following review helpful.
Informative, but not what I thought
By passat driver
This is a great book for those interested about the simple side of Japanese life, primarily of country folks. I thought I'd be interested but in the end, it wasn't for me. Some recipes were outstanding; others were not, and nearly impossible because of the difficulty of obtaining necessary ingredients. Overall, it just wasn't for me, but it contains a wealth of information of Japanese culture not commonly seen in other publications.

0 of 0 people found the following review helpful.
Japanese cuisine at it's finest
By Danyelle Jorgensen
This is the best book for true, traditional Japanese cuisine from the ground up. I can't think of any way to improve upon it except to give more of the same in a new edition. One of my absolute favorites!

See all 24 customer reviews...

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Senin, 25 April 2011

[P638.Ebook] Download The Outdoor Survival Handbook: A Guide To The Resources & Material Available In The Wild & How To Use Them For Food, Shelter, Warmth, & Nav

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The Outdoor Survival Handbook: A Guide To The Resources & Material Available In The Wild & How To Use Them For Food, Shelter, Warmth, & Nav

Whether you are a novice hiker or camper, or a more experienced outdoorsperson who spend weeks or months in the wilderness The Outdoor Survival Handbook will help you make the most of your adventures in the great outdoors. Suvival-skills expert Raymond Mears delivers dependable, thorough, and easy-to-understand advice on every aspet of outdoor survival, season by season. The essential everyday skills you'll learn include how to:

construct a warm, waterproof shelter at any time of the year
build a good fire in all kinds of weather
gather, prepare, and cook wild foods for tasty and nutritional meals
identify medicinal herbs
collect and purify water
track and idenfity animals
orienteer using map, compass, and natural navigational aids
make tools and equipment from natural materials
and much more.

Filled with practical tips and hundreds of useful drawings and diagrams, this book will help outdoorspeople of all experience levels mater the art of taking full enjoyment in the wilderness without violating the natural wonders that surround them.

  • Sales Rank: #225410 in Books
  • Brand: Mears, Ray/ Bryant, Paul (ILT)
  • Published on: 1993-06-15
  • Released on: 1993-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.18" h x .73" w x 6.10" l, .60 pounds
  • Binding: Paperback
  • 240 pages

From Library Journal
Mears, who teaches woodlore courses, advocates learning to "see through the eyes of an indigenous native." He emphasizes a back-to-nature philosophy and survival skills that can be applied nearly anywhere. The line drawings are very good; Mears is obviously knowledgeable and writes clearly. The book is a mixture of very basic skills, such as making fire, plus recipes for outdoor cooking, truck identification, basket making, and poisonous fungi identification. Unfortunately, each topic receives just one or two pages, and no references for further reading are supplied. Furthermore, this book was first published in Great Britain, and all the supply source addresses are British. Readers wanting some depth and American specificity would do better with Tom Brown's Field Guide to Wilderness Survival (Berkley Bks., 1984) or Paul Rezendes's Tracking and the Art of Seeing ( LJ 10/15/92). Not recommended.
- Roland Person, Southern Illinois Univ. Lib., Carbondale
Copyright 1993 Reed Business Information, Inc.

About the Author

Raymond Mears is a frequent lecturer on outdoors survival skills and an expert on the survival techniques of native people. He lives in England.

Most helpful customer reviews

42 of 43 people found the following review helpful.
Good general information
By A Customer
While Mears' book has clear illustrations and an interesting (seasonal) organization, other books such as Outdoor Survival Skills by Larry Dean Olsen and How to Stay Alive in the Woods by Bradford Angier both provide more in depth, specific information.

10 of 11 people found the following review helpful.
Good all around book
By DtheHare
First, this book is not about wildnerness survival. The recipes that include garlic and butter are well, not practical if your lost in the woods. The book is more geared towards going into the wilderness with everything you need at your disposal, and not lacking the essentials. The information is well presented, and does not deal with emergencies but rather going out into the woods and enjoying yourself.

The book is more about developing a spiritual relationship with wildnerness and emergency wildernesss survival is a matter of life and death, and not a romantic experience where you walk out having touched the hand of God. If you live, you will probably find God. I bought this book for the sole purpose of learning about survival in the wilderness. I found alot of very useful information, but, having a pretty solid base already, the book is still a fun read.

The sections on cordage are very well done, and the sections on pottery, skinning are also well done. I think if you want to have a rewarding wilderness experience without the dangers of being lost, this book is awesome. If your looking for what to do in case your lost, this might not cover all the bases.

Still a nice book that I frequently thumb through while sitting in the bathroom.

11 of 14 people found the following review helpful.
The Outdoor Survival Handbook
By Sam Adams
The subtitle of this book is: a guide to the resources and materials available in the wild and how to use them for food, shelter, warmth, and navigation. The author has parceled out his observations, instruction and advise according to the four seasons. So rather than having a single chapter on types of shelter which one could locate or construct in the wilderness within the various climates or seasons, he parcels out this information over the four main chapters of the book. He does this for each category of survival: shelter, fire, water, cordage, and food. His intention seems to be that the reader use the book as an introductory survival course beginning in the spring, focusing on the particular type of shelter shown in that chapter and not getting distracted by other types that either cannot or need not be built then.

There is some sense to this kind of organization, but yet he leaves any discussion of hygiene or cooking, for example, until the summer chapter, when surely this information would have been just as relevant to the spring. If you have to at least selectively read ahead anyway to be better informed, why not just organize the book from the start so that the categories of survival occur as separate chapters, with the special circumstances of each season being discussed within the category, rather than breaking the content of the category across the four seasons? But the organization according to seasons allows the author to focus upon nature as it lives in each season, which seems to be as important to him as the types of shelter or the various methods of starting a fire.

The book is well illustrated and feels quite accessible. There is quite a bit of useful information on tinder and laying out fuel for a fire, even though it doesn't all occur, as it logically should, in a single chapter; and there is much, also, on cordage, but again, not all in one place. Because of the large and clear illustrations, it seems a good enough first book on wilderness survival. It does not overwhelm the reader with detail, but for some readers it is that very complexity of detail and a more rigorous organization that would be missed.

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Jumat, 22 April 2011

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Clinical Use of Blood, by World Health Organization

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Clinical Use of Blood, by World Health Organization

This interactive CD-ROM is designed to support national health authorities and blood transfusion services in establishing effective systems to minimize unnecessary transfusions and their associated risks of risks of transfusion reactions and transfusion-transmitted infection. It also provides comprehensive materials to assist individual clinicians in making appropriate prescribing decisions about transfusion and alternatives to transfusion.

The CD-ROM includes:

Aide-Mémoire for National Health Programs: The Clinical Use of Blood which provides a brief guide for policy makers on requirements for the appropriate use of blood, including a national policy and guidelines on transfusion, hospital transfusion committees, education and training, and systems for monitoring and evaluation.

Recommendations: Developing a National Policy and Guidelines on the Clinical Use of Blood, a concise guide to the steps involved in developing a national policy on the clinical use of blood and the elements that should be included in national transfusion guidelines.

The Clinical Use of Blood: Handbook which provides a comprehensive reference to the appropriate use of blood and blood products in general medicine, obstetrics, pediatrics, surgery and anesthesia, trauma and burns, and The Clinical Use of Blood in Medicine, Obstetrics, Pediatrics, Surgery & Anesthesia, Trauma & Burns, a module of learning material on the use of whole blood, blood products and alternatives to transfusion. It includes an extensive range of activities to promote improvements in clinical transfusion practice.

  • Sales Rank: #9030112 in Books
  • Published on: 2005-12-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.72" h x 5.51" w x .0" l, .1 pounds
  • Binding: CD-ROM

About the Author
World Health Organization is a Specialized Agency of the United Nations, charged to act as the world's directing and coordinating authority on questions of human health. It is responsible for providing leadership on global health matters, shaping the health research agenda, setting norms and standards, articulating evidence-based policy options, providing technical support to countries and monitoring and assessing health trends.

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Selasa, 19 April 2011

[E892.Ebook] Download X-Rated Bloodsuckers (Felix Gomez), by Mario Acevedo

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X-Rated Bloodsuckers (Felix Gomez), by Mario Acevedo

Felix has survived Operation Iraqi Freedom, being turned into a vampire, and a ravenous horde of nymphomaniacs. Now he faces his toughest task ever—navigating the corrupt world of Los Angeles politics to solve the murder of a distinguished young surgeon turned porn star. But both human and vampire alike have reasons to want the secret to stay buried. . .

  • Sales Rank: #1400802 in Books
  • Published on: 2007-02-27
  • Released on: 2007-02-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .86" w x 5.31" l, .63 pounds
  • Binding: Paperback
  • 384 pages

From Publishers Weekly
Hard-boiled action mixes with soft-core titillation in Acevedo's second novel featuring soldier– turned–vampire PI Felix Gomez (after 2006's The Nymphos of Rocky Flats), who's approached by porn actress Katz Meow to investigate the murder of her colleague Roxy Bronze. Before you can say XXX, Felix is off to California's San Fernando Valley and up to his fangs in intrigue implicating a vampire producer of adult films, a sham evangelist, a power-hungry local politician and the Araneum, the secret vampire hierarchy tasked with stamping out unorthodox human-vampire interactions. Felix endures the usual silver bullets and garlic, as well as several very human double crosses and miscalculations, before the story speeds to an unlikely conclusion that exposes a somewhat unconvincing villain. The novel's true appeal lies in its zippy banter and witty repartee on vampire lifestyle, particularly in Felix's ongoing partnership with Coyote, a low-rent vamp from the barrio. Acevedo has a natural flare for the hard-boiled idiom, and readers who enjoyed Felix's first adventure will find this follow-up equally entertaining. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Raymond Chandler could never have imagined an L.A. like this, where hard-boiled, private-eye vampires fight crime, as well as commit a few during lunch breaks. When renegade vampires threaten to wreck the fragile balance between humanity and the netherworld, PI Felix Gomez is hired to repair the growing schism, or give up his immortal and somewhat immoral life trying. The mean streets have never been meaner--or stranger--and the result is a high-speed, well-crafted romp through the forests of the night. Fans of Acevedo's The Nymphos of Rocky Flats (2006) will find this a worthy sequel. Elliott Swanson
Copyright © American Library Association. All rights reserved

Review
“Raymond Chandler could never have imagined an L.A. like this, where hard-boiled, private-eye vampires fight crime, as well as commit a few during lunch breaks.” (Booklist)

Most helpful customer reviews

3 of 4 people found the following review helpful.
'Tis a novel worth picking up if....
By Tor
If you answer yes to most of these questions, then you should buy this book and read it. It is that simple:

1. Do you like humor? More importantly, so you like some subtle humor in books that you read? Would you like to chuckle or be amused during a story?

2. Do you like "flawed" characters? Characters that have something wrong with them? Well the main character in this story is a blood sucking kinda guy who is allergic to sunlight and has a strong aversion to human blood.

3. Do you like a good adventurous story where "things happen" and they don't take a long time to get going?

4. Do you like sex? or at least, do you recognize that there are certain desires that just about everyone has? Well this novel is full of innuendos. It is not a porno novel. The title might suggest that they are doing it on every other page. Not true. That isn't to say that something did not happen, but I'll leave that up to you to read.

I found this to be a fun entertaining adventure. More importantly I really enjoyed the "twist" that it gave to the standard vampire tale. It suggests a few new ways of looking at things. The second novel is just about as fun as his first one, so it's worth considering the series.

0 of 0 people found the following review helpful.
LOved it, messed up, funny
By J. Hines
The entire series is great, funny brutal, way out there.....but for some reason the term blunt tooth riles me. If I were in this book Id go down fighting as a hunter rather than become a being that forgot its origins.
But thats just my opinion, Awsome job my friend.

0 of 0 people found the following review helpful.
Five Stars
By wool213
My favorite in the series!

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Minggu, 17 April 2011

[L687.Ebook] Ebook Java Power Tools, by John Ferguson Smart

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Java Power Tools, by John Ferguson Smart

All true craftsmen need the best tools to do their finest work, and programmers are no different. Java Power Tools delivers 30 open source tools designed to improve the development practices of Java developers in any size team or organization. Each chapter includes a series of short articles about one particular tool -- whether it's for build systems, version control, or other aspects of the development process -- giving you the equivalent of 30 short reference books in one package.

No matter which development method your team chooses, whether it's Agile, RUP, XP, SCRUM, or one of many others available, Java Power Tools provides practical techniques and tools to help you optimize the process. The book discusses key Java development problem areas and best practices, and focuses on open source tools that can help increase productivity in each area of the development cycle, including:

  • Build tools including Ant and Maven 2
  • Version control tools such as CVS and Subversion, the two most prominent open source tools
  • Quality metrics tools that measure different aspects of code quality, including CheckStyle, PMD, FindBugs and Jupiter
  • Technical documentation tools that can help you generate good technical documentation without spending too much effort writing and maintaining it
  • Unit Testing tools including JUnit 4, TestNG, and the open source coverage tool Cobertura
  • Integration, Load and Performance Testing to integrate performance tests into unit tests, load-test your application, and automatically test web services, Swing interfaces and web interfaces
  • Issue management tools including Bugzilla and Trac
  • Continuous Integration tools such as Continuum, Cruise Control, LuntBuild and Hudson
If you are a Java developer, these tools can help improve your development practices, and make your life easier in the process. Lead developers, software architects and people interested in the wider picture will be able to gather from these pages some useful ideas about improving your project infrastructure and best practices.

  • Sales Rank: #1282837 in Books
  • Brand: Brand: O'Reilly Media
  • Published on: 2008-05-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.19" h x 2.20" w x 7.00" l, 3.10 pounds
  • Binding: Paperback
  • 912 pages
Features
  • Used Book in Good Condition

About the Author

John is a freelance consultant specializing in Enterprise Java, Web Development, and Open Source technologies, currently based in Wellington, New Zealand. Well known in the Java community for his many published articles, John helps organizations optimize their Java development processes and infrastructures and provides training and mentoring in open source technologies, SDLC tools, and agile development processes. John is principal consultant at Wakaleo Consulting http://www.wakaleo.com/ (http://www.wakaleo.com), a company that provides consulting, training and mentoring services in Enterprise Java and Agile Development.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book covers some useful utilities
By Scott K
I found this book to be a very strong coverage of many tools, while not all may be applicable for your tasks it covers enough of them to be useful. It covers multiple different tools of the same type, and many different types to help you development and build process be more productive.

If you need to get up to speed real quick on what is out there this is a great book to start with.

1 of 1 people found the following review helpful.
Java Power Tools
By Paul Shields
Brilliant, used it twice at work, within the first couple of days (Ant scripting and SchemaSpy). The information it contains is current, relevant and concise. Like the approach it takes to linking all the different tools into a full development cycle, haven't worked through this yet, but looks very powerful.

9 of 25 people found the following review helpful.
Great Book - but could definitely remove some sections
By J. Brutto
Definitely focused more towards beginner Java users (competent/advanced users will have already discovered the majority of what is covered in the text), this is a wonderful, quick examination and look into the world of each tool covered. It's thorough enough to get you started and get your brain wrapped around some of the common tools used by everyone out there. However, it is not overkill. You are pointed in the proper directions for more detailed information on things covered.

However, this book isn't necessarily "Java" power tools. The book covers various topics in SDLC including CI options, VCS options, etc. all of which could be removed to cover more "power tools" that are specific to Java (i.e. Jakarta Commons, etc.).

So, while it contains some good information, I just cannot go over 3 stars due to the fact that moves in-and-out of the Java realm frequently. Sure, the topics covered relate to some of the tools, but it's out of focus to explain here. Typos are frequent, but mostly just little things and you won't get thrown off by them.

The book should really have been focused less on VCS, CI, etc. and more on the other common libraries/tools that you see out there used exclusively with Java.

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Sabtu, 02 April 2011

[T343.Ebook] PDF Ebook Thirty Years That Shook Physics - The Story of the Quantum Theory, by George Gamow

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Thirty Years That Shook Physics - The Story of the Quantum Theory, by George Gamow

QUANTUM PHYSICS EXPLAINED BY A FAMOUS SCIENTIST, GEORGE GAMOW, WHO ALSO PROPOSED A CURRENT THEORY NOW IN VOGUE. THIS WAS THE "BIG BANG" THEORY OF EVOLUTION OF THE UNIVERSE'S CAUSE AND BEGINNINGS. THIS HAS EVENTUALLY WON OUT AS A CURRENTLY LEADING THEORY OF COSMIC BEGINNINGS, NOW EXPANDED INTO INITIAL UNIVERSE DEVELOPMENT KNOWN AS "STRING THEORY." FOR A WHILE IT WAS PROPOSED THAT THERE WAS A "STEADY STATE" THEORY OF THE UNIVERSE IN THE 1950S, WHICH WAS LATER PROVEN UNSUPPORTABLE BY MORE RECENT DISCOVERIES THAT TEND TO CONFIRM THE "BIG BANG" CONCEPT AS THE WORKING MODEL FOR NOW. BOTH "DARK MATTER" AND "BACKGROUND NOISE" LEFT OVER FROM THE "BIG BANG" MESH WELL WITH GAMOW'S MODEL OF THE UNIVERSE.

  • Sales Rank: #1903902 in Books
  • Published on: 1966
  • Number of items: 1
  • Binding: Paperback
  • 224 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Dr. S.
Well written but not enough math development

6 of 11 people found the following review helpful.
Enjoying the book but
By Daniel J. Warme
Makes me wish I stayed awake in Math class. Some of the text is made up of formulas that make my head spin. However I am enjoying reading the stories of the men and their reasoning behind the explinations of how the world works at the atomic level versus the "real world " physics of Newton and others. Definitely a time when what we knew to be true was vastly different from what was actually true.

0 of 1 people found the following review helpful.
Quantum Mechanics History
By Mendoza
You just need to read it to see how interesting it is! Much more than the similar books.

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Jumat, 01 April 2011

[U110.Ebook] Get Free Ebook A Long Way Home: A Memoir, by Saroo Brierley

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A Long Way Home: A Memoir, by Saroo Brierley

First it was a media sensation. Then it became the #1 international bestseller A Long Way Home. Now it’s Lion, a major motion picture starring Dev Patel, Nicole Kidman, and Rooney Mara.

This is the miraculous and triumphant story of Saroo Brierley, a young man who used Google Earth to rediscover his childhood life and home in an incredible journey from India to Australia and back again...

At only five years old, Saroo Brierley got lost on a train in India. Unable to read or write or recall the name of his hometown or even his own last name, he survived alone for weeks on the rough streets of Calcutta before ultimately being transferred to an agency and adopted by a couple in Australia.

Despite his gratitude, Brierley always wondered about his origins. Eventually, with the advent of Google Earth, he had the opportunity to look for the needle in a haystack he once called home, and pore over satellite images for landmarks he might recognize or mathematical equations that might further narrow down the labyrinthine map of India. One day, after years of searching, he miraculously found what he was looking for and set off to find his family.

A Long Way Home is a moving, poignant, and inspirational true story of survival and triumph against incredible odds. It celebrates the importance of never letting go of what drives the human spirit: hope.

  • Sales Rank: #19773 in Books
  • Published on: 2015-06-02
  • Released on: 2015-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .78" w x 5.40" l, 1.00 pounds
  • Binding: Paperback
  • 288 pages

Review
“Amazing stuff.”—The New York Post
 
“So incredible that sometimes it reads like a work of fiction.”—Winnipeg Free Press (Canada)
 
“A remarkable story.”—Sydney Morning Herald Review
 
“I literally could not put this book down...[Saroo's] return journey will leave you weeping with joy and the strength of the human spirit.”—Manly Daily (Australia)
 
“We urge you to step behind the headlines and have a read of this absorbing account...With clear recollections and good old-fashioned storytelling, Saroo...recalls the fear of being lost and the anguish of separation.”—Weekly Review (Australia)

About the Author
Born in Khandwa, Madhya Pradesh, India, Saroo Brierley lives in Hobart, Tasmania, where he manages a family business, Brierley Marine, with his father. Saroo’s story has been published in several languages and is now a major motion picture from The Weinstein Company.

Excerpt. © Reprinted by permission. All rights reserved.
1.

Remembering

When I was growing up in Hobart, I had a map of India on my bedroom wall. My mum—my adoptive mother—had put it there to help me feel at home when I arrived from that country at the age of six to live with them in 1987. She had to teach me what the map represented—I was completely uneducated. I didn’t even know what a map was, let alone the shape of India.

Mum had decorated the house with Indian objects—there were some Hindu statues, brass ornaments and bells, and lots of little elephant figurines. I didn’t know then that these weren’t normal objects to have in an Australian house. She had also put some Indian printed fabric in my room, across the dresser, and a carved wooden puppet in a brightly colored outfit. All these things seemed sort of familiar, even if I hadn’t seen anything exactly like them before. Another adoptive parent might have made the decision that I was young enough to start my life in Australia with a clean slate and could be brought up without much reference to where I’d come from. But my skin color would always have given away my origins, and anyway, she and my father chose to adopt a child from India for a reason, as I will go into later.

The map’s hundreds of place-names swam before me throughout my childhood. Long before I could read them, I knew that the immense V of the Indian subcontinent was a place teeming with cities and towns, with deserts and mountains, rivers and forests—the Ganges, the Himalayas, tigers, gods!—and it came to fascinate me. I would stare up at the map, lost in the thought that somewhere among all those names was the place I had come from, the place of my birth. I knew it was called “Ginestlay,” but whether that was the name of a city, or a town, or a village, or maybe even a street—and where to start looking for it on that map—I had no idea.

I didn’t know for certain how old I was, either. Although official documents showed my birthday as May 22, 1981, the year had been estimated by Indian authorities, and the date in May was the day I had arrived at the orphanage from which I had been offered up for adoption. An uneducated, confused boy, I hadn’t been able to explain much about who I was or where I’d come from.

At first, Mum and Dad didn’t know how I’d become lost. All they knew—all anyone knew—was that I’d been picked off the streets of Calcutta, as it was still known then, and after attempts to find my family had failed, I had been put in the orphanage. Happily for all of us, I was adopted by the Brierleys. So to start with, Mum and Dad would point to Calcutta on my map and tell me that’s where I came from—but in fact the first time I ever heard the name of that city was when they said it. It wasn’t until about a year after I arrived, once I’d made some headway with English, that I was able to explain that I didn’t come from Calcutta at all—a train had taken me there from a train station near “Ginestlay.” That station might have been called something like “Bramapour,” “Berampur” . . . I wasn’t sure. All I knew was that it was a long way from Calcutta, and no one had been able to help me find it.

Of course, when I first arrived in Australia, the emphasis was on the future, not the past. I was being introduced to a new life in a very different world from the one I’d been born into, and my new mum and dad were putting a lot of effort into facing the challenges that experience brought. Mum didn’t worry too much about my learning English immediately, since she knew it would come through day-to-day use. Rather than trying to rush me into it, she thought it was far more important at the outset to comfort and care for me, and gain my trust. You don’t need words for that. She also knew an Indian couple in the neighborhood, Saleen and Jacob, and we would visit them regularly to eat Indian food together. They would speak with me in my own language, Hindi, asking simple questions and translating instructions and things Mum and Dad wanted me to know about how we’d live our life together. Being so young when I got lost and coming from a very basic background, I didn’t speak much Hindi, either, but being understood by someone was a huge help in becoming comfortable about my new surroundings. Anything my new parents weren’t able to communicate through gestures and smiles, we knew Saleen and Jacob could help us with, so we were never stuck.

I picked up my new language quite quickly, as children often do. But at first I spoke very little about my past in India. My parents didn’t want to push me to talk about it until I was ready, and apparently I didn’t show many signs that I gave it much thought. Mum remembers a time when I was seven, when out of the blue I got very distressed and cried out, “Me begot!” Later she found out I was upset that I had forgotten the way to the school near my Indian home, where I used to watch the students. We agreed that it probably didn’t matter anymore. But deep down, it mattered to me. My memories were all I had of my past, and privately I thought about them over and over, trying to ensure that I didn’t “beget.”

In fact, the past was never far from my mind. At night memories would flash by and I’d have trouble calming myself so I could sleep. Daytime was generally better, with lots of activity to distract me, but my mind was always busy. As a consequence of this and my determination not to forget, I have always recalled my childhood experiences in India clearly, as an almost complete picture—my family, my home, and the traumatic events surrounding my separation from them have remained fresh in my mind, sometimes in great detail. Some of these memories were good, and some of them bad—but I couldn’t have one without the other, and I couldn’t let them go.

My transition to life in another country and culture wasn’t as difficult as one might expect, most likely because, compared to what I’d gone through in India, it was obvious that I was better off in Australia. Of course, more than anything I wanted to find my mother again, but once I’d realized that was impossible, I knew I had to take whatever opportunity came my way to survive. Mum and Dad were very affectionate, right from the start, always giving me lots of cuddles and making me feel safe, secure, loved, and above all, wanted. That meant a lot to a child who’d been lost and had experienced what it was like for no one to care about him. I bonded with them readily, and very soon trusted them completely. Even at the age of six (I would always accept 1981 as the year of my birth), I understood that I had been awarded a rare second chance. I quickly became Saroo Brierley.

Once I was safe and secure in my new home in Hobart, I thought perhaps it was somehow wrong to dwell on the past—that part of the new life was to keep the old locked away—so I kept my nighttime thoughts to myself. I didn’t have the language to explain them at first anyway. And to some degree, I also wasn’t aware of how unusual my story was—it was upsetting to me, but I thought it was just the kind of thing that happened to people. It was only later, when I began to open up to people about my experiences, that I knew from their reactions it was out of the ordinary.

Occasionally the night thoughts would spill over into the day. I remember Mum and Dad taking me to see the Hindi film Salaam Bombay! Its images of the little boy trying to survive alone in a sprawling city, in the hope of returning to his mother, brought back disturbing memories so sharply that I wept in the dark cinema. After that, my parents only took me to fun Bollywood-style movies.

Even sad music of any kind (though particularly classical) could set off emotional memories, since in India I had often heard music emanating from other people’s radios. Seeing or hearing babies cry also affected me strongly, probably because of memories of my little sister, Shekila. The most emotional thing was seeing other families with lots of children. I suppose that, even in my good fortune, they reminded me of what I’d lost.

But eventually I began talking about the past. Only a month or so after my arrival, I described to Saleen my Indian family in outline—mother, sister, two brothers—and that I’d been separated from my brother and become lost. I didn’t have the resources to explain too much, and Saleen gently let me lead the story to where I wanted it to go rather than pressing me. Gradually, my English improved; we were speaking Hinglish, but we were all learning. I told Mum and Dad a few more things, like the fact that my father had left the family when I was very little. Most of the time, though, I concentrated on the present: I had started going to school, and I was making new friends and discovering a love of sport.

Then one wet weekend just over a year after I’d arrived in Hobart, I surprised Mum—and myself—by opening up about my life in India. I’d probably come to feel more settled in my new life and now had some words to put to my experiences. I found myself telling her more than ever before about my Indian family: about how we were so poor that we often went hungry, or how my mother would have me go around to people’s houses in the neighborhood with a pot to beg for any leftover food. It was an emotional conversation, and Mum held me close during our talk. She suggested that together we draw a map of the place I was from, and as she drew, I pointed out where my family’s home was on our street, the way to the river where all the kids played, and the bridge under which you walked to get to the train station. We traced the route with our fingers and then drew the home’s layout in detail. We put in where each member of my family slept—even the order in which we lay down at night. We returned to the map and refined it as my English improved. But in the whirl of memories brought on by first making that map, I was soon telling Mum about the circumstances of my becoming lost, as she looked at me, amazed, and took notes. She drew a wavy line on the map, pointing to Calcutta, and wrote, “A very long journey.”

A couple of months later, we took a trip to Melbourne to visit some other kids who had been adopted from the same Calcutta orphanage as me. Talking enthusiastically in Hindi to my fellow adoptees inevitably brought back the past very vividly. For the first time, I told Mum that the place I was from was called “Ginestlay,” and when she asked me where I was talking about, I confidently, if a little illogically, replied, “You take me there and I’ll show you. I know the way.”

Saying aloud the name of my home for the first time since arriving in Australia was like opening a release valve. Soon after that, I told an even more complete version of events to a teacher I liked at school. For over an hour and a half, she wrote notes, too, with that same amazed expression. Strange as I found Australia, for Mum and my teacher, hearing me talk about India must have been like trying to understand things that had occurred on another planet.

• • •

The story I told them was about people and places I’d turned over in my mind again and again since I arrived in Australia, and which I would continue to think about often as I grew up. Not surprisingly, there are gaps here and there. Sometimes I’m unsure of details, such as the order in which incidents occurred, or how many days passed between them. And it can be difficult for me to separate what I thought and felt then, as a child, from what I’ve come to think and feel over the course of the twenty-seven years that followed. Although repeated revisiting and searching the past for clues might have disturbed some of the evidence, much of my childhood experience remains vivid in my memory.

Back then, it was a relief to tell my story, as far as I understood it. Now, since the life-changing events that sparked after my thirtieth birthday, I am excited by the prospect that sharing my experiences might inspire hope in others.

2.

Getting Lost

Some of my most vivid memories are the days I spent watching over my baby sister, Shekila, her grubby face smiling up at me as we played peekaboo. She always looked at me with adoring eyes, and it made me feel good to be her protector and hero. In the cooler seasons, Shekila and I spent many nights waiting alone in the chilly house like newly hatched chicks in a nest, wondering if our mother would come home with some food. When no one came, I’d get the bedding out—just a few ragged sheets—and cuddle with her for warmth.

During the hot months of the year, my family would join the others with whom we shared the house and gather together outside in the courtyard, where someone played the harmonium and others sang. I had a real sense of belonging and well-being on those long, warm nights. If there was any milk, the women would bring it out and we children got to share it. The babies were fed first, and if any was left over, the older ones got a taste. I loved the lingering sensation of its sticky sweetness on my tongue.

On those evenings I used to gaze upward, amazed at how spectacular the night sky was. Some stars shone brightly in the darkness, while others merely blinked. I wondered why flashes of light would suddenly streak across the sky for no reason at all, making us “ooh” and “aah.” Afterward we would all huddle together, bundled up in our bedding on the hard ground, before closing our eyes in sleep.

That was in our first house, where I was born, which we shared with another Hindu family. Each group had their own side of a large central room, with brick walls and an unsealed floor made of cowpats and mud. It was very simple but certainly no chawl—those warrens of slums where the unfortunate families of the megacities like Mumbai and Delhi find themselves living. Despite the closeness of the quarters, we all got along. My memories of this time are some of my happiest.

My mother, Kamla, was a Hindu and my father a Muslim—an unusual marriage at the time, and one that didn’t last long. My father spent very little time with us (I later discovered he had taken a second wife), and so my mother raised us by herself.

My mother was very beautiful, slender, with long, lustrous black hair—I remember her as the loveliest woman in the world. She had broad shoulders, and limbs made of iron from all her hard work. Her hands and face were tattooed, as was the custom, and most of the time she wore a red sari. I don’t remember much about my father, since I only saw him a few times. I do recall that he wore white from top to bottom, his face was square and broad, and his curly dark hair was sprinkled with gray.

As well as my mother and my baby sister, Shekila, whose name was Muslim unlike ours, there were also my older brothers, Guddu and Kallu, whom I loved and looked up to. Guddu was tall and slim, with curly black hair down to his shoulders. He was light-skinned, and his face resembled my mother’s. Usually he wore short shorts and a white shirt—all our clothes were hand-me-downs from the neighbors, but because of the heat we didn’t need much. Kallu was heavier than Guddu, broad from top to bottom, with thin hair. On the other hand, I had short, straight, thick hair, and I was extremely skinny as a child; my face resembled my father’s more than my mother’s.

When my father did live with us, he could be violent, taking his frustrations out on us. Of course, we were helpless—a lone woman and four small children. Even after he moved out, he wanted to be rid of us altogether. At the insistence of his new wife, he even tried to force us to leave the area so that he could be free of the burden that our presence brought to bear. But my mother had no money to leave, nowhere to live, and no other way to survive. Her small web of support didn’t extend beyond our neighborhood. Eventually, my father and his wife quit the area themselves and moved to another village, which improved things for us a bit.

I was too young to understand the separation of my parents. My father simply wasn’t around. On a few occasions I found I had been given rubber flip-flops and was told he’d bought new shoes for all of us, but beyond that he didn’t help out.

The only vivid memory I have of seeing my father was when I was four and we all had to go to his house to visit his new baby. It was quite an expedition. My mother got us up and dressed, and we walked in the terrible heat to catch the bus. I remember seeing my mother coming toward me from the outdoor ticket booth, her image hazy in the wavering heat emanating from the tarmac. I kept a particular eye on Shekila, who was exhausted by the sizzling temperature. The bus journey was only a couple of hours, but with the walking and waiting, the journey took all day. There was another hour’s walk at the other end, and it was dark by the time we reached the village. We spent the night huddled together in the entranceway of a house owned by some people my mother knew (they had no room inside to offer, but the nights were hot and it wasn’t unpleasant). At least we were off the streets.

Only the next morning, after we had shared a little bread and milk, I found out that my mother wasn’t coming with us—she was not permitted. So we four children were escorted up the road by a mutual acquaintance of our parents to our father’s place. My mother would wait at her friend’s house.

Despite all this—or perhaps being oblivious to most of it—I was very happy to see my father when he greeted us at the door. We went inside and saw his new wife and met their baby. It seemed to me his wife was kind to us—she cooked us a nice dinner and we stayed the night there. But in the middle of the night I was shaken awake by Guddu. He said that he and Kallu were sneaking out, and asked if I wanted to come along. But all I wanted to do was sleep. When I woke again, it was to hear my father answering a loud knocking at the front door. A man had seen my brothers running from the village into the open countryside beyond. The man was worried they could be attacked by wild tigers.

I later learned that Guddu and Kallu had attempted to run away that night—they were upset by what was happening in our family and wanted to get away from our father and his other wife. Fortunately, they were found later that morning, safe and sound.

But one problem morphed into another: the same morning, standing in the street, I saw my father approaching and realized that he was chasing after my mother, with a couple of people following behind him. Not far from me, she suddenly stopped and spun on her heel to face him, and they argued and shouted angrily. Quickly they were joined by other people on both sides. Perhaps their personal argument tapped into the tension between Hindus and Muslims, and it quickly turned into a confrontation. The Hindus lined up with my mother, facing the Muslims, who were aligned with my father. Tempers rose very high, and many insults were exchanged. We children gravitated toward our mother, wondering what would happen with all the shouting and jostling. Then, shockingly, my father hurled a small rock that hit my mother on the head. I was right next to her when it struck her and she fell to her knees, her head bleeding. Luckily, this act of violence seemed to shock the crowds, too, cooling tempers rather than exciting them. As we tended to my mother, the crowd on both sides started to drift away.

A Hindu family found the room to take us in for a few days while my mother rested. They told us later that a police officer had taken my father away and locked him up in the cells at the village police station for a day or two.

This episode stayed with me as an example of my mother’s courage in turning to face down her pursuers, and also of the vulnerability of the poor in India. Really, it was just luck that the crowds backed off. My mother—and perhaps all of us—could easily have been killed.

Although we weren’t brought up as Muslims, after my father left, my mother moved us to the Muslim side of town, where I spent most of my childhood. She may have felt that we would fare better there, since the neighborhood was a little less destitute. Even after we moved, I don’t remember having any religious instruction as a child, other than the occasional visit to the local shrine. But I do remember simply being told one day that I wasn’t to play with my old friends anymore because they were Hindus. I had to find new—Muslim—friends. Back then the religions didn’t mix, and neither did the people.

When we moved to our new house, we all carried everything we owned, which was only some crockery and bedding. I cradled in my arms small items such as a rolling pin and light pots and pans. I was excited about being in a new place, although I didn’t really know what was happening. At that point I didn’t understand what religion was. I just saw Muslims as people who wore different garments than Hindus; the men dressed all in white and some had long beards, with white hats on their heads.

In our second home, we were by ourselves but in more cramped quarters. Our flat was one of three on the ground level of a red-brick building and so had the same cowpat-and-mud floor we’d had before. Just a single room, it had a little fireplace in one corner and a clay tank in another for water to drink and sometimes wash with. There was one shelf where we kept our sleeping blankets. Only rich people could afford electricity, so we made do with candlelight. I was afraid of the spiders that would crawl along the wall. There were mice, too, but they didn’t bother me the way the insects did. The structure was always falling apart a little—my brothers and I would sometimes pull out a brick and peer outside for fun before putting it back in place.

Our town, which I knew as “Ginestlay,” was generally hot and dry, except during the heavy rains of the monsoon. A range of large hills in the distance was the source of the river that ran past the old town walls, and in the monsoon, the river would break its banks and flood the surrounding fields. We used to wait for the river to recede after the rains stopped so we could get back to trying to catch small fish in more manageable waters. In town, the monsoon also meant that the low railway underpass filled with water from the stream it crossed and became unusable. The underpass was a favorite place for the local kids to play, despite the dust and gravel that rained down on us when a train crossed.

Our neighborhood in particular, with its broken and unpaved streets, was very poor. It housed the town’s many railway workers, and to the more wealthy and highborn citizenry, it was literally on the wrong side of the tracks. There wasn’t much that was new, and some of the buildings were tumbling down. Those who didn’t live in communal buildings lived in tiny houses like we had: one or two rooms down narrow, twisting alleyways, furnished in the most basic way—a shelf here and there, a low wooden bed and a tap over a drain, perhaps.

The streets were full of cows wandering around, even in the town center, where they might sleep in the middle of the busiest roads. Pigs slept in families, huddled together on a street corner at night, and in the day they would be gone, foraging for whatever they could find. It was almost as if they worked nine to five and clocked off to go home and sleep. Who knew if they belonged to anyone—they were just there. Most people didn’t eat pork, as it was considered unclean. There were goats, too, kept by the Muslim families, and chickens pecking in the dust.

Unfortunately, there were also lots of dogs, which scared me—some were friendly, but many were unpredictable or vicious. I was particularly afraid of dogs after I was chased by one, snarling and barking. As I ran away, I tripped and hit my head on a broken tile sticking up from the old pathway. I was lucky not to lose an eye but got a bad gash along the line of my eyebrow, which a neighbor patched up with a bandage. When I’d finally resumed my walk home, I ran into Baba, our local holy man, who would give advice and a blessing to local people. Baba told me never to be afraid of dogs—that they would only bite you if they felt you were scared of them. I tried to keep that advice in mind but remained nervous around dogs on the street. I knew from my mother that some dogs had a deadly disease that you could catch, even if they didn’t do worse than nip you. I still don’t like dogs, and I’ve still got the scar.

Since my father wasn’t around, my mother had to support us. Soon after Shekila’s birth, she went off to work on building sites. Since she was a strong woman, she was able to do the hard work involved, carrying heavy rocks and stones on her head in the hot sun. She worked six days a week from morning until dusk for a handful of rupees—something like a dollar and thirty cents. This meant that I didn’t see very much of her. Often she had to go to other towns for work and could be away for days at a time. It was a great feeling to see her walking up the street after several days’ absence. You couldn’t miss her since she always wore a red sari. Usually on Saturdays she would come home, and often she brought back some food. Yet she still couldn’t earn enough money to provide for herself and four children. At age ten Guddu went to work, too, and his first long shift of about six hours washing dishes in a restaurant earned him less than half a rupee.

We lived one day at a time. There were many occasions when we begged for food from neighbors, or begged for money and food on the streets by the marketplace and around the railway station. Sometimes my mother would send me out in the evening to knock on doors and ask for leftovers. I’d set off with a metal bowl. Some scowling people angrily shouted “Go away!” while others might have something to give me—perhaps a little kichery, biryani rice (rice layered with meat), or yogurt curry. Occasionally I got a thrashing if I was too persistent.

Once I found a partially broken glass jar near my house. It had contained mango pickle, but most of it had been scraped out. I decided to use my fingers to get what remained in the jar. I tried to avoid the glass particles, but I was so hungry that I gulped down whatever I could scoop out.

Often when walking around the neighborhood, I would see crockery that had been left outside to be cleaned. I usually checked to see if anything was stuck to the bottom of the pot. Typically any leftover food was covered with flies, which I’d shoo away before devouring whatever remained. Sometimes a dog was hanging around, and I didn’t know if it had licked the pot or not. I’d get a rock and chase it away before eating what was left. When you’re starving, you aren’t too particular about what you put into your mouth. On days when no food was available, you just wouldn’t eat.

Hunger limits you because you are constantly thinking about getting food, keeping the food if you do get your hands on some, and not knowing when you are going to eat next. It’s a vicious cycle. You want something to fill your stomach, but you don’t know how to get it. Not having enough to eat paralyzes you and keeps you living hour by hour instead of thinking about what you would like to accomplish in a day, week, month, or year. Hunger and poverty steal your childhood and take away your innocence and sense of security. But I was one of the lucky ones because I not only survived but learned to thrive.

• • •

One big impact that our Muslim neighborhood had on my upbringing wasn’t pleasant—circumcision at about age three. I don’t know why I had to endure it even though we weren’t converts to Islam—perhaps my mother thought it wise to go along with some of the local area’s customs to keep the peace, or maybe she was told it was a requirement of our living there. For whatever reason, it was done without anesthetic, so it’s unsurprisingly one of my clearest and earliest memories.

I was playing outside when a boy came up and told me I was needed at home. When I got there, I found a number of people gathered, including Baba. He told me that something important was going to happen, and my mother told me not to worry, that everything would be all right. Then several men from the neighborhood ushered me into the larger upstairs room of our building. There was a big clay pot in the middle of the room, and they told me to take my shorts off and sit down on it. Two of them took hold of my arms, and another stood behind me to support my head with his hand. The remaining two men held my body down where I sat on top of the clay pot. I had no idea what was going on, but I managed to stay fairly calm—until another man arrived with a razor blade in his hands. I cried out and tried to struggle, but they held me fast as the man deftly sliced. It was very painful but over in seconds. He bandaged me up, and my mother carried me out and took care of me on a bed.

A few minutes later, Kallu went into the upstairs room and the same thing happened to him, but not Guddu. Perhaps he’d already had it done.

That night the neighborhood held a party, with feasting and singing, but Kallu and I could only sit on our rooftop, listening. We weren’t allowed to go outside for several days, during which time we were forced to fast and wore only a shirt with no trousers while we recovered.

• • •

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90 of 92 people found the following review helpful.
A Wonderful real-life tale of Hope and the human spirit
By Raghu Nathan
This book tells an amazing story. There is simply no other way to describe it. It is the real-life story of Saroo, a five-year-old child in a village in central India, who gets lost and finds himself transported all the way east to Calcutta, some 1800 kms away. Young Saroo, all of five, penniless and illiterate, does not even know the name of his village and knows little else about where he was from. He gets off at the bustling, crowded Howrah train station and survives for six weeks in the intimidating bad and mean streets of Calcutta by his instincts and luck. He ends up at a benevolent orphanage called ISSA, where the kindly Ms.Saroj Sood - tries to find his family and re-unite him. But all Saroo can tell was that he was from Ginestlay, which is what he remembered as his village's name. He also mistakenly says that he travelled just overnight by train when in reality he had travelled almost 24 hours to get to Calcutta. After a couple of moths' futile effort, Mrs.Sood pronounces him 'lost' and organizes him to be adopted by Sue and John Brierley, a young couple from Tasmania, Australia.

Saroo is lovingly brought up by the Brierleys and he grows up into a happy and well-integrated Aussie over the next 20 years. However Saroo always wonders about his origins, with clear memories of his birth mother Kamala, his kid sister Shekila and elder brothers Kallu and Guddu, whom he looked up to as a child two decades before. He starts working on trying to find where he was from by using the feeble memories of his childhood. All he had to go by was that there was a train station whose name was something like 'Berampur' , that it had a water tower, an overpass across the tracks and that the town had a fountain near a cinema. His village 'Ginestlay' was somewhere nearby and that they were all reachable overnight by train from Calcutta. Gradually, over five years, with incredible patience and perseverance , Saroo, at age 30, using Google Earth's satellite images and Facebook, miraculously locates the train station with the identifying features of his childhood. He notes that a nearby town is called Khandwa and that there is a Facebook group belonging to people from Khandwa. He contacts them and gets the key info that there is a nearby village called Ganesh Talai - the 'Ginestlay' of 5-year-old Saroo! Saroo soon goes to India and reconnects with his birth family to the great delight of his elderly mother Kamala and his siblings Shekila and Kallu, who are now married with children. Sadly, Guddu, his eldest brother whom he adored as a child, was killed in an accident just on the same day that Saroo got lost 25 years before. Otherwise, it is a happy resolution for Saroo.

Not only Saroo, but his Aussie parents, Sue and John as well, come off as wonderful, loving and caring parents and individuals. Sue herself was a WWII refugee from Hungary and her story is also inspring as told it in the book. Saroo's birth mother Kamala is another remarkable woman, who never gave up hope that her son Sheru (which is his correct name!) would return one day. Hence she never moved from the shack where she lived so that she will be there when Saroo comes back! The other heroes in the book are the internet, Google Earth and Facebook! It is a great tribute to these wonderful technologies which make it possible for the adult Saroo to sit ten thousand miles away in Hobart, Australia and exactly locate the water tower and overpass of his childhood memory and find out the correct name of his village. Let no one denounce technology again!

I found the book moving, inspirational and one of hope and the indomitable spirit of the humankind. It is a story of triumph against great odds. Going through the early chapters where Saroo survives for six weeks as a five-year-old in Calcutta, I had palpitations as I felt anxious that nothing terrible should befall young Saroo! The book also has a special appeal for me since I grew up in India and lived for 13 years in wonderful Australia.

39 of 45 people found the following review helpful.
Amazing!
By Smiley
This was simply the most amazing story on so many levels.

Back in 1986 five year old Saroo made a last minute decision to accompany his older brother on a short train trip to a nearby town in rural India. Although he was supposed to be babysitting his baby sister, Saroo risked his mother's wrath and left his humble home, not realising just what a journey he was about to make. Instructed to wait on the platform by his older brother, young Saroo was scared and confused when his older brother failed to return in the specified time. Deciding to make his own way home he hopped onto a waiting train - a train that would end up taking him half way across the country and far, far away from his family.

Alone on the streets of Calcutta, Saroo lives by his wits for several weeks before being rescued by a caring woman who runs a nearby orphanage. Although attempts were made to locate Saroo's family, the task was basically impossible given that they were so far away and young Saroo had so little information to give them. Within weeks Saroo is adopted by an Australian couple and is soon on his way to a new life in Hobart.

Although Saroo's life in Australia is a wonderful and fulfilling one, he cannot forget the family he left behind. Yet, he has so little to go on - just his own childish memories of the name of his own small village and the nearby town where he boarded the train. Then one day he comes across Google Earth and for the first time he realises he may just find his family after all. It is not an easy search though, it literally takes years of painstaking searching branching out from Calcutta and tracing every possible train route. But then one day everything falls into place - before his eyes is the train station he can still clearly remember with it's distinctive landmarks. Against ridiculous odds, Saroo finally found his childhood home.

This is a simply written book but I was captivated right from the first page. It seemed unimaginable that a five year old child could not only get through such a traumatic and frightening experience but had the street smarts to survive against many significant dangers.

Even if you have no belief in fate or destiny, I think it would be impossible not to be moved by this amazing story.

18 of 21 people found the following review helpful.
Almost Great
By Space Salamander
This is, by its nature, a fascinating story. You don't need much more than the simple description on the cover to understand why-- it's a crazy premise that came to fruition thanks to modern technology.

The problem is that Saroo isn't a writer. The writing has no real style, and practically no dialogue or character development. I understand this must have been put together very quickly to capitalize on all the media going on around him, but it could have been a truly great book if he'd worked with a ghostwriter/co-author. As it stands, it's still an interesting book, but not one that kept me up at night or that I think I'll remember in any detail years from now. I was left wishing he'd gone deeper into the characters-- the descriptions are surface-y and never really let you hear anyone's voice.

That said, I admire Saroo quite a bit for his ability not only to survive, but to have a healthy attitude about all of it, to want to help his family and other orphaned kids in India, and to appreciate what his adoptive family did for him. He seems like a good guy who lived an extraordinary circumstance without really grasping just HOW extraordinary until he realized that the whole world wanted to know his story.

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