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The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.
- Sales Rank: #1315815 in Books
- Published on: 2014-11-10
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x 1.38" w x 5.98" l, 2.90 pounds
- Binding: Paperback
- 814 pages
Review
'This must have been a very difficult book to edit, and Simon Keefe (together with David Wyn Jones, who planned the volume) deserves unqualified congratulations for having engaged the work of so many gifted contributors and for having lurked in the detail (as it were) to such good effect ... one cannot doubt the immense significance of this volume in its authoritative engagement with a repertory that speaks at every turn to the central importance of music as a vital expression of eighteenth-century thought.' Music and Letters
About the Author
Simon P. Keefe is James Rossiter Hoyle Chair and Head of Music at the University of Sheffield.
Most helpful customer reviews
0 of 0 people found the following review helpful.
An excellent follow-up to The Cambridge History of Seventeenth-century Music
By Karen P. Smith
A comprehensive discussion of eighteenth century music. An excellent follow-up to The Cambridge History of Seventeenth-century Music, which I also purchased.
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